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The galleries illustrate the designer's revolutionary experiments in "in-betweenness"—the space between boundaries.Objects are organized into nine aesthetic expressions of interstitiality in Kawakubo's work: Absence/Presence, Design/Not Design, Fashion/Anti-Fashion, Model/Multiple, Then/Now, High/Low, Self/Other, Object/Subject, and Clothes/Not Clothes.

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Warhol would have been taught about such historical works during his Art History classes at Carnegie Tech, and their impact is evident in this exhibition.

The seed of the Torsos and Sex Parts series sprouted after a man approached Warhol boasting of his large penis.

But Andy was Catholic and a homosexual…For years, the joke was that Andy called homosexuality a “problem.” Sex Parts was a final announcement or affirmation of his homosexuality.” Unseen Warhol, p.68.

Casually referred to by Warhol as the Cocks, Cunts, and Assholes series, many of the works in this exhibition are on view to the public for the first time. 1982Screenprint on TH Saunders Waterford (Hot Pressed) paper The Andy Warhol Museum, Pittsburgh Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc.1998.1.2644 In the fall of 1977, Andy Warhol began work on two new series of artworks which would become known as Torsos and Sex Parts.While the Torsos paintings would quickly be praised for following in the “high art” style of classical nudes, the Sex Parts series from which Torsos was borne blurred the line between art and pornography.In creating the artworks, Warhol was probably inspired by classical nudes and erotic art which have been depicted throughout history.Sexuality in artwork can be found as early as 35,000 BC in central Europe with the erotic sculptures of the Venus of Hohle Fels and later the Venus of Willendorf statuettes, all of which have enlarged breasts and well-defined genitalia.So, let's get it on has my small package (2-3 INCHES), IS WA…